Robert Edsel's Blog

I am Harry Ettlinger, the youngest and one of the very, very few WWII Monuments Men still alive.

As we go through life, we keep learning and bring to our minds a great variety of experiences.  Recently I saw a film about the destruction of Buddhist figures by the Taliban in Afghanistan.  It ended with a showing of a banner over the entrance of the Art Museum in the Capital of that country.  Its message: “No nation can exist without culture and history.”

I realize today that as Monuments Men, we started the work to restore the culture taken away by Nazis from hundreds of millions of human beings. Today, we must distribute that important part of history to the billions of men and women in this world.

In a tiny way, I, having been given the privilege of working as a Monuments Man, feel now compelled to aid in spreading the message, so eloquently stated on that banner.

You can start by reading Robert Edsel’s new book The Monuments Men.

Monuments Men Bernard Taper, Harry Ettlinger and Horace Apgar and myself at the World War II Memorial in Washington, D.C. This preceded the Senate Ceremony honoring these men and women on June 6, 2007. (Photo Courtesy of Robert M. Edsel Collection.)

The outpouring of support and words of encouragement for the launch of The Monuments Men is tremendously gratifying. Thanks go to the hundreds of friends and well-wishers who have contacted me beginning last evening.  No calls and emails have meant more than those I’ve received from the Monuments Men themselves and their kids.  I hasten to add that my publisher, Center Street, a division of Hachette, and our team led by my editor Michelle Rapkin, have thrown their full resources behind this book.  The full force of their effort will be known to all in the coming weeks.

Interviewing my father, a World War II veteran of the Pacific, at the World War II Memorial. (Photo Courtesy of Robert M. Edsel Collection.)

An undertaking such as the epic telling of these heroes’ story and, to a degree, the illumination of a critical seam to a distinct but major new understanding of World War II and the role of art does not cause an overnight result.  A friend wisely commented to me yesterday, it is a marathon race, not a sprint.  Endurance and steadfastness are critical components of the endeavor.

It continues to be my honor to represent these heroes and their families and to share their stories with people around the world.  I hope you will tell others about their story….that word of mouth recommendation is where the battle will be won!

In the course of research for my new book, The Monuments Men, and while filming The Rape of Europa, I had a chance to get to know the country of Poland and its remarkable people. During the period we were filming in both Cracow and Warsaw, I took a couple of days off to visit some other sites, in particular Auschwitz…the ghastly site of the concentration camps where millions of Jews and other victims of Hitler’s “final solution” were murdered.

When visiting such places, I go with a mind full of images and stories I have seen and heard, eager to merge them with the physical experience of being there. No matter how many images a person sees of Warsaw and the devastation it experienced as a consequence of World War II, it doesn’t really take hold until you walk the streets of the city, look into people’s eyes (especially those of the children), and see the great attractions which illuminate so well the history of the city and its citizens. This was my experience in Warsaw, a beautiful city today but one that looked like the pock-marked surface of the moon after the Nazis lade waste to it as they fled. You can’t believe the city is the same place.

One image that spoke volumes about how determined the Nazis were to destroy not just the Polish people’s lives and property but also the very soul of the nation and its values concerns the statue of the great music composer Frederic Chopin. This remarkable sculpture was unveiled in Lazienki Park in 1926. During summer, piano recitals are held at the foot of the monument. Note its scale by focusing on the people sitting on the bench to the left in the photo below. This is how it appears to visitors today.

The bronze monument to Poland's greatest musician, Frederic Chopin, was designed by Waclaw Symanowski and erected in Warsaw in 1910.

However, in 1941, a little more than a year after the Nazi invasion of Poland, the statue was dissected by the Nazis and placed on a flatbed railcar for transport to a smelter. This was but just one of enumerable acts by Hitler and the Nazis to destroy the most treasured cultural icons of each conquered city. In Russia notable such examples were the homes of the great poet Pushkin, and the remarkable composer Peter Tchaikovsky

Fryderck Chopin Monument cut up on rail car. (Photo Courtesy of National Archives and Records Administratiion.)

When I boarded the plane to depart Poland, I couldn’t help but admire so deeply the courage and fortitude of the Polish people. The Poles were the first victims of the Nazi invasion on this day 70 years ago. By war’s end more than 6 million Poles had died. Nazi Concentration camps had been built throughout the country at which millions of innocent people were murdered. The list of horrifying events that took place during World War II seems endless. Yet through it all, the Polish people found the will not just to survive, but to flourish. Their determination to rebuild their great cities and society as it was before the war is a living testament to the pride they have for the great history of Poland, and their courage and determination to triumph.

Headline from "Victory Extra", Boston Massachusetts (Photo Courtesy of Robert M. Edsel Collection.)

Headlines around the world trumpeted the news 65 years ago as the German Commander of Paris, Major General Dietrich von Choltitz, surrendered the occupying forces that had controlled the city for more than four years.  Despite orders from Hitler to lay waste to the city, Choltitz departed from his history of destruction and chose instead to surrender.  He would later say, “It is always my lot to defend the rear of the German Army.  And each time it happens I am ordered to destroy each city as I leave it.”

The Cathedral of Notre Dame was not damaged, but fighting took place directly in front of the church. This burned-out truck was abandoned by German troops fleeing the city. (Photo Courtesy of National Archives and Records Administration (NARA).)

On August 26th, the day after the German surrender, French General de Gaulle led a victory parade down the Champs-Elysees.  Three days later the United States 28th Infantry Division followed the same parade route to celebrate the reclaiming of the city.

American soldiers look upon the Eiffel Tower after Paris was liberated. (Photo Courtesy of NARA.)

Almost one year would pass before French museum officials were prepared to escort back to Paris its most famous “citizen”, the Mona Lisa. In the weeks that followed other treasures from the Louvre began their journey home from the chateaux and other hiding places where they sat out the war.