Robert Edsel's Blog

From left to right: Dr. Hans-Martin Hinz from the DHM (Deutsches Historisches Museum), Mr. Florian Scheurle from the BADV/Ministry of Finance, and Robert M. Edsel. Photo courtesy of Deutsches Historisches Museum.

Last week’s return of the Gemäldegalerie Linz Album XIII to the DHM (Deutsches Historisches Museum) in Berlin was another milestone achievement in our efforts to actively preserve the legacy of these remarkable men and women who saved so much of our cultural heritage during and after World War ll.  We honor their memory and underscore the modern day need to continue their work with events such as this.

We were so warmly received by Dr. Hans-Martin Hinz and his team at the DHM, a remarkable museum filled with more objects and knowledge about German history than anyone could ever fully study.  Much like our National Archives, the DHM team has made history interactive and fun for people of all ages, especially foreign visitors.  I encourage anyone visiting Berlin to allocate a half day minimum to see some of its remarkable displays.

From left to right: Dorothee Schneider, Dr. Birgit Schwartz (art historian), Dr. Hans-Martin Hinz (DHM), Robert Edsel, Dr. Matthias Miller (head of the library and curator of Old Master Prints DHM), Translator, Mr. Max Maldacker (Foreign Ministry, Head of Department for Culture and Communication), Ms. Maja Schweitzer (Foreign Ministry, Department for Culture and Communication), Mr. Harald Konig (BADV/Finance Ministry). Photo Courtesy of Deutsches Historisches Museum.

After the return ceremony we were given a brief tour of just the reading room in their library.  Remarkably this room appears largely as it did when constructed more than a hundred years ago.  It contains many old and priceless manuscripts including the first edition of Goethe’s “Faust” dated 1808, a 1200 year old handwritten document called the “Heliand fragment” written in an old Saxonian dialect now extinct, and even a first edition of the German children’s book ”Max & Moritz” from 1865, which sold at auction in Germany for about 125,000 Euro.”

These cultural exchanges of good will between countries won’t change our world, but each step, no matter how small, further and strengthen the ties that bind us.  These alliances are essential to overcoming the challenges of our new world.

Since its founding almost 3 years ago the Monuments Men Foundation has been working to encourage museums and collectors alike to comply with best practices guidelines. Simply stated, that means “know your collection” and where the objects were during the reign of the Nazis:  1933-1946.  Many museums, and some collectors, have embraced these guidelines. Some have been slow to catch up. A few continue to ignore the matter.

Belo’s Dallas station, WFAA, an ABC affiliate, broadcast a piece last evening highlighting a recent case we discovered several years ago at SMU’s Meadows Museum in conjunction with research on my first book, Rescuing Da Vinci.  Officials at the Meadows are now aggressively engaged conducting key provenance research on their collection as a whole and the two paintings covered by the story in particular, to their credit.

This case highlights one aspect of the work of the Foundation and the tangible results we continue to obtain while trying to work with important institutions like the Meadows Museum.

You can view the story by clicking on the following link:

http://www.wfaa.com/news/local/Art-Stolen-by-Hitler-Found-at-SMU-Meadows-Museum.html

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

Gemaldegalerie Linz Album XIII

Augsburger Geschlechterbuch or “Augsburg Book of Nobles”

On Friday we gathered at the State Department for a ceremony marking the return of two irreplaceable documents, one of which was located by the Monuments Men Foundation.  The Gemaldegalerie Linz Album XIII was a prized possession of Hitler and documented German 19^th century works of art he had accumulated, both through purchase and theft, for the Fuhrermuseum he planned to build in his hometown.  The other document is known as the Augsburger Geschlechterbuch or “Augsburg Book of Nobles” which belongs to the Staatsgalerie Stuttgart.  While each item was taken by a U.S. Army soldier, the circumstances of their respective returns couldn’t have been more different.

Mr. Robert Edsel, Mr. John Pistone, and Ambassador Stuart Eizenstat, German Ambassador Klaus Scharioth, and Minister of the Interior for Baden-Wuerttemberg, Heribert Rech

This great occasion also honored one of those veterans, Mr. John Pistone, who upon learning about the importance of the Gemaldegalerie Linz Album agreed to work through the Monuments Men Foundation to ensure its return to Germany.  In contrast, the person in possession of the Augsburg Book of Nobles refused to return it and only through years of litigation was it eventually delivered to the State Department.

Deputy Secretary of State Jacob Lew, Minister Heribert Rech, German Ambassador Klaus Scharioth and Mr. Robert M. Edsel

Mr. Robert Edsel, Ambassador Klaus Scharioth, Minister Heribert Rech, and Deputy Secretary of State Jacob Lew

Ambassador Christian Kennedy, the U.S. Special Envoy for Holocaust Issues hosted the event and introduced each of the speakers after making poignant remarks about the importance of these two items being returned to Germany. His comments were underscored by Deputy Secretary of State Jacob Lew.  Accepting these items was German Ambassador Klaus Scharioth, and Heribert Rech, Minister of the Interior for Baden-Wuerttemberg, the state in which Stuttgart is located.  Both gentlemen spoke eloquently and candidly about this period of Germany’s history and the commitment Germany has today to doing everything possible to assist those victims of the Nazi era in recovering their stolen belongings.  At the same time, they expressed their desire to see items belonging to Germany returned home.  Minister Rech had tears in his eyes when he expressed the satisfaction that this important relic of his city’s history was finally going home.

Ambassador Stuart Eizenstat, Ambassador Christian Kennedy, and Deputy Secretary of State Jacob Lew

Each speaker commented on the important role of the Monuments Men during and after World War II and expressed their sincere appreciation for the work of the Monuments Men Foundation in not only preserving their legacy but in helping to locate and return items of such historic importance.  After all our hard work, these remarks were quite gratifying to hear.  Compliments were also directed to Mr. John Pistone for his role in coming forward to set the example for all veterans and their relatives who, like him, may have some item that was taken during the war that is a cultural object which should be returned.  When I first met with Mr. Pistone many months ago, I encouraged him to be a visible presence in the return of this document both to allow him to receive the credit he was due, but also to set the example for others.  He graciously agreed.  It was a very happy moment for the Monuments Men Foundation team to witness this fine veteran receive such praise in the presence of his family.  He later told me it was one of the proudest moments of his life…and that speaks volumes about what we at the Foundation are all about.

Mrs. Verna Pistone and her daughters Joan, Julianne and Laura

Photos courtesy of United States State Department

With veteran John Pistone during our first visit

Today the Monuments Men Foundation announced the discovery of an album containing photographs of Hitler’s most beloved works of art by German painters destined for his Führermuseum in Linz, Austria.  This item, formally called the Gemaldegalerie Linz Album XIII, was taken by an American soldier from Hitler’s home in Berchtesgaden in early May, 1945.  The veteran, Mr. John Pistone, in a wonderful act of grace, has worked with the Monuments Men Foundation to identify what the album was and it’s return to Germany.

For the full story please click on the link to the Associated Press story. (http://news.yahoo.com/s/ap/us_hitler_s_album)

Today’s news was extraordinarily well received.  In fact, it was the most popular, most viewed and most emailed news article on Yahoo! today.  I hope and believe that this news, and the example set by Mr. Pistone, will bring the much needed visibility to our efforts to finish the mission of the Monuments Men and assist others who may be in the possession of items “liberated” or stolen during the World War ll period.

Left to Right: Mary Regan Quessenberry, Mary Churchill and Unknown

Today the Monuments Men Foundation for the Preservation of Art, recipient of the 2007 National Humanities Medal, announced they have identified a second living female member of the Monuments, Fine Arts, and Archives section (“MFAA”), or “Monuments Men” as they were more commonly known: Mary Regan Quessenberry of Boston, Massachusetts.

The Monuments Men were a group of 345 men and women from thirteen nations, many of whom were museum directors, curators, artists and architects, who together worked to protect monuments and other cultural items from the destruction of World War II. In the last year of the war they tracked, located and ultimately returned more than five million artistic and cultural treasures stolen by Hitler and the Nazis.

Regarding this important occasion, Robert M. Edsel, author of The Monuments Men, and President of The Monuments Men Foundation for the Preservation of Art stated, “This news makes Veterans Day even more special for the Monuments Men Foundation. The men and women who collectively comprised the Monuments Men set the standard for the protection of cultural treasures during armed conflict. Although we hope our ongoing research efforts identify other living Monuments Men and women, today we know of only 10, including Mary Regan Quessenberry, who played an important role in the post-war work of the Monuments Men, assisting with the efforts to return millions of works of art to the countries from which these treasures had been stolen. This significant occasion underscores the importance and urgency of our research to recognize the contribution and preserve the legacy of these remarkable men and women who saved so much of our cultural heritage during World War II.”

Mary Regan Quessenberry and Robert M. Edsel

After watching an interview with Robert Edsel on BBC regarding his new book, The Monuments Men, Ms. Quessenberry’s niece contacted the Monuments Men Foundation about her aunt’s role as a Monuments officer. Mr. Edsel immediately traveled to Boston to meet with Mary, and presented her with a flag of the United States which had flown over the United States Capitol in honor of the Monuments Men, as well as a gold leaf copy of the Congressional Resolution that was passed in both the House and the Senate recognizing for the first time in the United States the heroic efforts of the members of the Monuments, Fine Arts, and Archives section.

Born in Boston on October 10, 1915, Mary Regan attended Radcliffe College and later received a master’s degree in Fine Art from Harvard, where her professors included Monuments Men Paul Sachs, Langdon Warner, and Mason Hammond, all key figures in Mr. Edsel’s new book, The Monuments Men. The United States entered World War II in December 1941. By July 1942 Mary had given up her job as a high school art teacher and was in uniform serving with the WAAC (Women’s Auxiliary Army Corps). Over 400,000 women applied to be part of the first group of women to serve in the US military; only 450 were chosen. She would later become a recruiter for WAC (Women’s Army Corps), where one of the highlights was meeting the Churchill family when they visited Boston. Mary was sent overseas in 1943. Prior to becoming a Monuments officer, she trained with the U.S. Army 8th Air Force under General Doolittle; she was also sent to the Royal Air Force base at Medmenham as part of the Central Interpretation Unit and later, Mary received orders to report to General Carl Spaatz. At that time he commanded the 8th, 9th, and 15th Army Air Corps and led the strategic bombing campaign against Germany reporting directly to General Eisenhower. Mary became “company commander of the 550 WACs who ran Spaatz Headquarters.” For her service as company commander, Mary received a Bronze Star.

Following the Allied victory, Mary read in Stars and Stripes that officers with an art history background were needed as Monuments Men. Despite having more than enough points to return home, Mary traveled to Berlin to volunteer for service with the Monuments Men. As a Monuments officer stationed in Berlin, Mary traveled to the Munich Collecting Point, Wiesbaden Collecting Point, various repositories, and badly damaged cities. She worked with fellow Monuments Men Bancel LaFarge, Rose Valland, Charles Kuhn, Calvin Hathaway and others to restitute stolen works of art to their rightful owners. She served as a Monuments officer until 1948, when she retired as a Major after an extraordinary and accomplished military career.

Mary returned home to the United States and taught humanities at the University of Florida, and married her husband Tim Quessenberry in 1965. Mary Regan Quessenberry currently lives in Boston, Massachusetts.

About the Monuments Men Foundation

The Monuments Men Foundation was created to raise public awareness of the 345 or so men and women from thirteen nations, many of whom were museum directors, curators, and educators, who protected monuments and other cultural treasures from the destruction of World War II. By 1945, these heroes of civilization tracked, located and later returned more than 5 million artistic and cultural items stolen by Hitler and the Nazis. The Foundation intends for their rich legacy to serve as a beacon for the preservation of such treasures in future armed conflict and to finish the task of locating and returning some of the hundreds of thousands of stolen and missing works of art and documents to the victims of the greatest theft in history. The Monuments Men Foundation for the Preservation of Art was one of ten recipients of the 2007 National Humanities Medal, the highest honor given for excellence in the Humanities field.

For more information about the Monuments Men Foundation, please visit www.monumentsmenfoundation.org.

To speak with Robert Edsel or for further details, Please Contact:
Christy Fox
Telephone: 646-246-3743
Email: christyfox1@aol.com

I’m in New Orleans today on behalf of the Monuments Men and the Monuments Men Foundation at the dedication ceremony of the new expansion space of the National World War ll Museum.  Hosts Tom Brokaw and Tom Hanks are among thousands of others here honoring the sacrifice of so many millions of Americans who experienced—and won—the greatest war in history.  As many of the speakers have commented, we can never thank them enough.  As the son of a World War ll veteran of the Pacific, an 18 year old marine at the time, I know firsthand the truth of this sentiment.

Last evening I attended a black tie dinner at which Tom Brokaw made moving remarks about how important this Museum has become in his life.  He said that writing his book, The Greatest Generation, was the most meaningful and important achievement of his professional career. Don’t I know…I feel the same about my role in working with the Monuments Men. It is an honor, a privilege.

Today we witnessed many beautiful scenes such as the entry of the color guard, and even more moving, the entry parade of the World War ll veterans, grouped by service–first the Army, then Marines, Navy, Army Air Corp, and Coast Guard.  16 members of the Tuskegee Air Corps are present.  Medal recipients abound.  It is so humbling to be in the presence of all these great heroes.

I have been asked to write a guest entry for the blog.  Before I began working here, I did not know much about the Monuments Men.  I knew they saved art during WWII, but that was all I knew.  They were a pretty incredible group of people.  From Ettlinger to Valland, there are some great people with some incredible stories.   I wonder what Rose Valland was thinking when she decided to keep notes on these works of art.  Did she know that it would lead to finding them later?  Did she think they were for her own personal records and memories?  I wonder, what was the initial spark that forced her to begin to document what was going on with the art pieces?  Minus the actual combat part, their work must have been fascinating.  I wish I was getting a paycheck to discover the stolen art hidden by the Nazi’s.  Talk about thinking outside the box, wow!

Though there are many different inspirational stories between the Monuments Men, there is one unifying theme.  They all felt the need to serve a purpose greater than themselves.  In today’s society, for the most part, all people care about is themselves and their latest bell or whistle.  I don’t think our society cares how many innocent people we kill on a daily basis, much less saving the cultural treasures in the Middle East.  A childhood buddy of mine was in the first platoon into Saddam’s main house and they did some terrible stuff to that house including the relics and treasures there.  I can only imagine what has happened to other cultural treasures in one of the oldest regions in the world.  If more people knew about The Monuments Men and their mission, we could have a special unit deployed in the Middle East focused on saving the cultural treasures of the region.  Maybe the people in charge of our nation’s foreign policy do not want to save the cultural treasures.  Maybe they do not want to preserve the culture from that region.  No W.M.D.’s and oil isn’t cheap, one has to wonder, what are we doing there?

I’m grateful that someone had the foresight to see the importance of saving the cultural treasures for future generations before they were destroyed.  In the times of World War II, people were more educated and understood the importance in saving cultural treasures for future generations.  Nationwide, our public school systems cut back funding for the arts before any other subjects.  Today, MTV and all the rest of the filth on television, teaches our children that cultural treasures are pieces of jewelry that Paris Hilton wore.  When you see how little importance our nation puts on the arts and culture, it’s not hard to see why this has not become a bigger issue.  It is going to take the masses getting educated, rising up and demanding that we save the cultural treasures in the Middle East before anything will change.  So I’m here doing my small part, helping Mr. Edsel and the Monuments Men Foundation in raising awareness and educating people about The Monuments Men and their mission.

Monuments Men Foundation Announces that Famous Murillo Paintings Stolen from Rothschild Family in Paris, later discovered by the Monuments Men during World War II, have been Identified at SMU’s Meadows Museum

Dallas, TX (October 22, 2009) — Based on new evidence about the systematic looting of art from Jewish owners in the course of hostilities in Europe during World War II, a pair of famous paintings on display at SMU’s Meadows Museum created by Spanish master Bartolome Esteban Murillo (1618-1682) of Seville’s Patron Saints Justa and Rufina, estimated to be worth more than $10 million, are believed to have been stolen from the Rothschild family in Paris in 1941. The Nazi ERR (Einsatzstab Reichsleiter Rosenberg) code evidencing Rothschild ownership is still visible on the stretcher bar of one of the paintings; it appears to have been rubbed off the other. The Monuments Men Foundation, recipient of the 2007 National Humanities Medal for its work preserving the legacy of these unknown heroes, which it received from the President of the United States at a White House ceremony, is continuing its research to document conclusively whether both paintings were properly restituted to the rightful owners prior to donation to the Meadows Museum.

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German Ambassador Klaus Scharioth accepts two books returned by an American soldier who took them from a salt mine during World War II. (Photo Courtesy of Robert M. Edsel Collection.)

Today I attended a ceremony at the National Archives in Washington, D.C. to participate in the return of 2 books to Germany that were taken by a U.S. soldier who discovered them in a German salt mine where they had been placed for safekeeping by German cultural officials. This soldier contacted the Monuments Men Foundation more than two years ago seeking information on the books and their value. We worked diligently over the next 13 months to identify them and the precise mine from which they had been removed. One book was written in Latin; the other in German. They were both more than 400 years old. Accepting both books on behalf of a grateful nation was German Ambassador Klaus Scharioth.

These books are but 2 of hundreds of thousands of books and works of art still missing from the war, some of which were stolen by the Nazis but others “taken”—”liberated”—and in some cases stolen by Allied troops of all sides. Oftentimes these cases had innocent beginnings: a soldier found something during his tour and took it as a souvenir of his wartime experience. Where such cases involve cultural items–works of art, library books, documents, they were taken against direct orders from Generals Eisenhower and Bradley, the latter of whom issued on numerous occasions field wide orders to his troops: “We are a conquering Army, not a pillaging one”. Still, it happened.

One of the greatest obstacles the Monuments Men Foundation frequently must overcome is to explain that items such as these books, or other important documents, are not only NOT SELLABLE, but to do even attempt to do so places the person in possession of them at great risk of prosecution, especially if moving them across state lines. My dad was a veteran: I understand as well as anyone who wasn’t there doing the fighting why items were sometimes taken and the emotional attachment the person who possesses it has to the object. At the same time, I know how important it is to victims of the Nazis murderous theft to have their items returned to them. Oftentimes these missing documents facilitate those returns.

(Photo Courtesy of AP Photo/ Haraz N. Ghanbari.)

I have always succeeded in explaining to the person in possession of such objects how they can demonstrate a different type of valor than that required of the battlefield by working with the Monuments Men Foundation to return these objects. The Foundation does not seek to judge anyone; our focus is to facilitate doing the right thing in the most transparent way possible although we do handle some cases on an anonymous basis depending on circumstances.

No one reveres veterans more than I do. I believe we can never fully repay our debt to anyone who has served in combat to preserve the ideals and freedom we hold so dear. But two Monuments Men died in combat, and more than 60 others risked their lives, trying to preserve the cultural belongings of ALL people—including Germans—against destruction and theft by anyone. They believed that taking or “liberating” cultural belongings made our side no better than those we were trying so desperately to defeat. And for that reason, I openly plea with anyone in the possession of such objects, whether living veterans, their heirs, or someone who has otherwise come into the possession of such objects to contact the Monuments Men Foundation (www.monumentsmenfoundation.org) and work with us to return these important items. It’s the right thing to do.