Robert Edsel's Blog

Veterans and Monuments Men Bernard Taper, Harry Ettlinger and Horace Apgar and President of the Monuments Men Foundation Robert Edsel (second from right) at the National World War II Memorial in Washington, D.C.

During World War II, while tens of thousands of Allied troops were flooding the beaches of Normandy on D-Day, the Monuments Men were impatiently waiting to cross the English Channel for their chance to contribute. For Monuments Man James Rorimer, future director of the Metropolitan Museum of Art, the gravity of the situation gripped him that day as he wrote in a letter we found while researching my last book:

“We are told that the invasion of Western Europe by overwhelming forces is underway…Now I am thinking of the combat troops and the task which is theirs. We older men are anxious on the one hand to help deal the death blow to tyranny, and on the other we think of our families at home and the obligations which we have as husbands, fathers, sons, and members of the peace-time community.”

-James Rorimer Letter to his Family, June 6, 1944

Over the last few months, I have been conducting research for my next book, Saving Italy, which will also rely on the letters the Monuments Men wrote to their families. One of the first things that occurred to me while reading these letters, was the extent to which the thoughts and feelings conveyed reflect their age and maturity. The Monuments Men had an average age of 40; a few had even fought in World War I. For the most part, these heroes were not the fearless young men who went to war before their adult lives had really begun. In contrast, these men had accomplished careers, they had wives and children, they had learned lessons from life’s experiences, and they had everything to lose. Reading their letters always reminds me about their commitment to saving the cultural world and its great artistic treasures we all cherish, and the courage of their convictions in volunteering to serve.

So today, I would like to thank the Monuments Men for their service, and all of the Veterans and service men and women of our country. Their cumulative sacrifices enable us to live the lives we lead. It is a silent sacrifice, one without complaint, as these brave soldiers “just do their job” out of duty and honor to our nation. We can’t say thank you enough to these remarkable men and women. We celebrate your bravery today and every day.

Click Here to Watch a Video about The Veterans Story

General Eisenhower and his wife, Mamie, departing the Met.
(photo courtesy of Metropolitan Museum of Art Libraries.)

The Monuments Men Foundation is proud to announce the discovery of an audio recording of General Eisenhower speaking about the importance of art and its protection during war.

The speech was delivered at the Metropolitan Museum of Art in New York City on April 2, 1946 at an event in which General Eisenhower was presented with an Honorary Life Fellowship from the museum with a citation that read:

“To Dwight D. Eisenhower, soldier, diplomat and statesman, through whose irreplaceable art treasures were saved for future generations.”

Award recipients with Texas Governor Rick Perry, including Bill Paxton,
Bob Schieffer, Barbara Smith Conrad and ZZ Top.

Other articles in this newsletter: the announcement of a new book coming out in Spring of 2013, Remembering Maria Altmann, and Robert Edsel presented with Texas Medal of Arts.

Click On the Link to Read The Monuments Men Newsletter

General Eisenhower Talking at Metropolitan Museum of Art on April 2, 1946 about the importance of saving art and culture during World War II.

An amazing discovery of historical significance was recently found, an audio recording from April 2, 1946 that has General Eisenhower specifically talking about his decision to safeguard the world’s cultural treasures during World War II. Eisenhower gave this speech at the Metropolitan Museum of Art when he was honored with a life fellowship. His words reiterate both his actions during the war and America’s actions after the war in dealing with cultural items, both domestically and internationally. It is a unique occurrence to hear Eisenhower speak only on the topic of art.

The Associate Press wrote an article that explaining the finding and its significance that is running on Yahoo! News. Click the link to read the article.

You can listen to Eisenhower’s entire speech on the newly redesigned Monuments Men Foundation website, www.monumentsmenfoundation.org.

Click Image to Enlarge

On December 21, 1941, directors from the great museums in America joined at the Metropolitan Museum in New York City for a historic meeting. In the aftermath of the bombing of Pearl Harbor, these cultural leaders realized that it was time to take action. Their initial concerns focused on the safety of American museums – would they be prepared for an attack on their own cities? Other logistical problems were a concern as well. In Boston, the Museum of Fine Arts had closed the Japanese galleries out of fear of angry mobs. The Met was closing at dusk to prevent visitors from running into things in the event of a blackout.

At the meeting, Paul Sachs issued a resolution, stating:

“If, in time of peace, our museums and art galleries are important to the community, in time of war they are doubly valuable. For then, when the petty and the trivial fall way and we are face to face with final and lasting values, we… must summon to our defense all our intellectual and spiritual resources. We must guard jealously all we have inherited from a long past, all we are capable of creating in a trying present, and all we are determined to preserve in a foreseeable future. Art is the imperishable and dynamic expression of these aims. It is, and always has been, the visible evidence of the activity of free minds.”

In hindsight, we know that a further attack on American soil never occurred. However, this meeting had lasting effects: it served as the birthplace of the Monuments, Fine Arts, and Archives section. After the Met meeting, Monuments Man George Stout and Harvard Professor Paul Sachs continued to reach out to museum leaders to develop a plan of action for when the Allies would inevitably arrive in Europe, for it had become obvious that it was the cultural treasures of Europe, not America, that would need protection. The Monuments Men were the embodiment the eloquent words Sachs spoke in December 1941.

I’ve been in New York City all week for the launch of The Monuments Men. The big event of the week is our launch party tomorrow evening at the Metropolitan Museum of Art.

Today I have been giving television and radio interviews across the country from a studio in Manhattan. Chris Evert, an acquaintance from my days playing tennis and working for Lamar Hunt’s World Championship Tennis tour, is in the studio next door taping a program.

It is very gratifying to hear the reaction of others to reading these heroes’ story.  Still, this is a process, a marathon race, not a sprint.  “Miles to go before I sleep…”, but we’re off to a good start!