Robert Edsel's Blog

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

Today, The Monuments Men Year-End Newsletter for 2009 was released to the general public. Inside this newsletter, you can read about the various creative content we have produce, our ongoing engagement with the public through the media to bring much need attention to the Monuments Men, the various honors bestowed upon the Monuments Men Foundation, and all the incredible memories bringing this story to life.  Many thanks to all that have worked on this project through the years.

Please take a minute to read the The Monuments Men Year-End Newsletter.

If you would like to sign up for future newsletters, please click here (fill out form on the right side to submit).

December 16 marks the anniversary of the beginning of the Battle of the Bulge – the largest and most deadly battle U.S. Forces were engaged in during World War II. The Ardennes Offensive, as it is formally called, was the last major German offensive launched during the war along the western front. The fighting centered around the Ardennes Mountains in Belgium, France and Luxembourg in brutally cold weather. American casualties were over 80,000.

The letters and journals of the Monuments Men reveal a marked change of pace during the Battle of the Bulge. On December 16, Robert Posey received his Christmas package from his wife Alice and his son, Woogie. As he wrote to thank them for the phonograph Christmas greeting, he had no idea that days later he would be called up from duty as a Monuments Man and ordered to the front lines to “keep firing until you can’t fire anymore” at the approaching Germans.

Walker Hancock first found out about the Bulge as he drove to Waimes, Belgium to make a monuments inspection – he was stopped by an advanced unit and told the village was back under German control. He spent Christmas Even in a cellar in Liège, Belgium. Christmas Mass the next morning was interrupted by German bombs.

Like all the Allied heroes of World War II, the Monuments Men risked their lives to protect freedom and save the world from Nazi terror. For this, we are eternally grateful.

Entry of the Color Guard at the National World War II Museum

More than 1,150,000 Americans have died in the wars our nation has waged to gain – and maintain – its freedom and independence. Through World War II the greatness of our nation was founded in the concept of shared sacrifice, the belief that those in uniform — and the families they left behind — shouldn’t shoulder the burden of defending our way of life alone.

Former President Teddy Roosevelt wisely observed that “…in the long run, success or failure [of the Republic] will be conditioned upon the way in which the average man, the average woman, does his or her duty, first in the ordinary everyday affairs of life, and next in those great occasional cries which call for heroic virtues.  The average citizen must be a good citizen if our Republics are to succeed.”

Our veterans, and those men and women in uniform, continue to do their part, even when harm’s way appears on our own military bases at home.  But at a time in our Republic’s history when Veterans Day has sadly become notable more for its holiday shopping promotions and as a day off from school or work, one wonders what has become of the Good Citizen of whom Roosevelt spoke?

Tom Brokaw giving a speech at the National World War II Museum

Last Friday, while in New Orleans for the dedication ceremony of the National World War II Museum’s new expansion space, including its one of a kind 4-D theater and film, Beyond all Boundaries, I witnessed the work of many Good Citizens, but two in particular worth highlighting:  Tom Hanks and Tom Brokaw.  Their official roles were as hosts of the various events, none more moving than the Parade of Veterans, 350 men and women who served in the Army, Navy, Marine Corp, Army Air Force and Coast Guard during World War II.  Tom Brokaw told the audience that writing The Greatest Generation was “the single most important professional experience of my life.”  Tom Hanks spoke lovingly of his father, a Navy veteran, and the importance of each person doing their part as a prerequisite to achieving the long sought victory, even if their role was that of a machinist.

But behind the scenes, when the cameras weren’t rolling, the “Toms” were everywhere:  arriving early and staying late, serving food to the veterans, attending cocktail parties and dinners for supporters of the museum, and meeting with museum officials to discuss additional ways they could help to preserve the legacy of the men and women who saved our world from the greatest threat it has ever known.  As Dr. Nick Mueller, President of the museum, often stated, every time he and his friend of 30 years, the late Dr. Stephen Ambrose, called the “Toms” for help, they both enthusiastically appeared.

Tom Hanks talking with veterans

Personally I was struck less by what Tom Hanks and Tom Brokaw did than I was the spirit in which they did it:  gracious, humble, honored to be of help.  They were the Good Citizens, in this case extraordinary men applying their resources — none more powerful than their time —in a way that served as an inspiring example for others.  These are the same traits I’ve witnessed in my interviews with the citizen-soldiers known as the Monuments Men, a small group of men and women who saved and preserved the greatest cultural treasures from the destruction of World War II and theft by Hitler and the Nazis: graciousness, humility, inspiration.

So on this Veterans Day, I think NOT of the commercialism of the holiday or the de-coupling of the bond of shared sacrifice that built our great nation, rather I take hope in the example set by Tom Hanks, Tom Brokaw, and many other Good Citizens in New Orleans this past weekend. I give thanks to our veterans, and all those in military service, including their loved ones, who keep us safe.

German Ambassador Klaus Scharioth accepts two books returned by an American soldier who took them from a salt mine during World War II. (Photo Courtesy of Robert M. Edsel Collection.)

Today I attended a ceremony at the National Archives in Washington, D.C. to participate in the return of 2 books to Germany that were taken by a U.S. soldier who discovered them in a German salt mine where they had been placed for safekeeping by German cultural officials. This soldier contacted the Monuments Men Foundation more than two years ago seeking information on the books and their value. We worked diligently over the next 13 months to identify them and the precise mine from which they had been removed. One book was written in Latin; the other in German. They were both more than 400 years old. Accepting both books on behalf of a grateful nation was German Ambassador Klaus Scharioth.

These books are but 2 of hundreds of thousands of books and works of art still missing from the war, some of which were stolen by the Nazis but others “taken”—”liberated”—and in some cases stolen by Allied troops of all sides. Oftentimes these cases had innocent beginnings: a soldier found something during his tour and took it as a souvenir of his wartime experience. Where such cases involve cultural items–works of art, library books, documents, they were taken against direct orders from Generals Eisenhower and Bradley, the latter of whom issued on numerous occasions field wide orders to his troops: “We are a conquering Army, not a pillaging one”. Still, it happened.

One of the greatest obstacles the Monuments Men Foundation frequently must overcome is to explain that items such as these books, or other important documents, are not only NOT SELLABLE, but to do even attempt to do so places the person in possession of them at great risk of prosecution, especially if moving them across state lines. My dad was a veteran: I understand as well as anyone who wasn’t there doing the fighting why items were sometimes taken and the emotional attachment the person who possesses it has to the object. At the same time, I know how important it is to victims of the Nazis murderous theft to have their items returned to them. Oftentimes these missing documents facilitate those returns.

(Photo Courtesy of AP Photo/ Haraz N. Ghanbari.)

I have always succeeded in explaining to the person in possession of such objects how they can demonstrate a different type of valor than that required of the battlefield by working with the Monuments Men Foundation to return these objects. The Foundation does not seek to judge anyone; our focus is to facilitate doing the right thing in the most transparent way possible although we do handle some cases on an anonymous basis depending on circumstances.

No one reveres veterans more than I do. I believe we can never fully repay our debt to anyone who has served in combat to preserve the ideals and freedom we hold so dear. But two Monuments Men died in combat, and more than 60 others risked their lives, trying to preserve the cultural belongings of ALL people—including Germans—against destruction and theft by anyone. They believed that taking or “liberating” cultural belongings made our side no better than those we were trying so desperately to defeat. And for that reason, I openly plea with anyone in the possession of such objects, whether living veterans, their heirs, or someone who has otherwise come into the possession of such objects to contact the Monuments Men Foundation (www.monumentsmenfoundation.org) and work with us to return these important items. It’s the right thing to do.

German poet Heinrich Heine said: “Das war ein Vorspiel nur, dort wo man Bucher verbrennt, verbreent man auch am Ende Menschen.” (“This was only foreplay. Where books are being burned there will eventually be humans burned.”)  That was in 1821!!!!  How did he foretell the events that 110 years later would lead to the greatest war the world has ever known?

Of course, the gap between burning books out of fear and ideology and the taking of human lives is thinner than any of us want to consider.  Events in Nazi Germany proved that point in painful detail.  Heine could have also expanded his observation to include the burning of paintings because that, too, was part of Hitler’s determination to influence how people thought, what they believed in, and who they obeyed.

The importance of Heine’s observation is timeless:  they are words of warning to us all…to pay attention…to think for ourselves, and to speak up and act when the very freedoms all people of good will cherish are under attack.

I am Harry Ettlinger, the youngest and one of the very, very few WWII Monuments Men still alive.

As we go through life, we keep learning and bring to our minds a great variety of experiences.  Recently I saw a film about the destruction of Buddhist figures by the Taliban in Afghanistan.  It ended with a showing of a banner over the entrance of the Art Museum in the Capital of that country.  Its message: “No nation can exist without culture and history.”

I realize today that as Monuments Men, we started the work to restore the culture taken away by Nazis from hundreds of millions of human beings. Today, we must distribute that important part of history to the billions of men and women in this world.

In a tiny way, I, having been given the privilege of working as a Monuments Man, feel now compelled to aid in spreading the message, so eloquently stated on that banner.

You can start by reading Robert Edsel’s new book The Monuments Men.

Monuments Men Bernard Taper, Harry Ettlinger and Horace Apgar and myself at the World War II Memorial in Washington, D.C. This preceded the Senate Ceremony honoring these men and women on June 6, 2007. (Photo Courtesy of Robert M. Edsel Collection.)

The outpouring of support and words of encouragement for the launch of The Monuments Men is tremendously gratifying. Thanks go to the hundreds of friends and well-wishers who have contacted me beginning last evening.  No calls and emails have meant more than those I’ve received from the Monuments Men themselves and their kids.  I hasten to add that my publisher, Center Street, a division of Hachette, and our team led by my editor Michelle Rapkin, have thrown their full resources behind this book.  The full force of their effort will be known to all in the coming weeks.

Interviewing my father, a World War II veteran of the Pacific, at the World War II Memorial. (Photo Courtesy of Robert M. Edsel Collection.)

An undertaking such as the epic telling of these heroes’ story and, to a degree, the illumination of a critical seam to a distinct but major new understanding of World War II and the role of art does not cause an overnight result.  A friend wisely commented to me yesterday, it is a marathon race, not a sprint.  Endurance and steadfastness are critical components of the endeavor.

It continues to be my honor to represent these heroes and their families and to share their stories with people around the world.  I hope you will tell others about their story….that word of mouth recommendation is where the battle will be won!

Tomorrow begins the realization of more than 7 years of work:  publication of my new book entitled The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History. This is the narrative telling of these heroes’ stories through the experiences of just 8 men and 1 woman–the unlikeliest of spies–who are in a race with time to save the greatest cultural treasures from Nazi fanatics.  The book can be ordered online and will be in bookstores nationwide.  It is being published in more than 16 languages, and will also be available as an audio book.  I hope you will read the amazing stories of the men and women which I have told using their letters home to loved ones written during combat.

Harry Ettlinger speaking at the Hope for Humanities Dinner in Dallas, November 2008. (Photo Courtesy of Robert M. Edsel Collection.)

This Friday we will have the first of many Guest Blogs…appropriately, the first guest blogger will be Monuments Man Harry Ettlinger.  Harry figures prominently in The Monuments Men.  He provides a fresh insight into these events and speaks eloquently as to why this part of history is so vitally important.

Please check it out this Friday!

In the course of research for my new book, The Monuments Men, and while filming The Rape of Europa, I had a chance to get to know the country of Poland and its remarkable people. During the period we were filming in both Cracow and Warsaw, I took a couple of days off to visit some other sites, in particular Auschwitz…the ghastly site of the concentration camps where millions of Jews and other victims of Hitler’s “final solution” were murdered.

When visiting such places, I go with a mind full of images and stories I have seen and heard, eager to merge them with the physical experience of being there. No matter how many images a person sees of Warsaw and the devastation it experienced as a consequence of World War II, it doesn’t really take hold until you walk the streets of the city, look into people’s eyes (especially those of the children), and see the great attractions which illuminate so well the history of the city and its citizens. This was my experience in Warsaw, a beautiful city today but one that looked like the pock-marked surface of the moon after the Nazis lade waste to it as they fled. You can’t believe the city is the same place.

One image that spoke volumes about how determined the Nazis were to destroy not just the Polish people’s lives and property but also the very soul of the nation and its values concerns the statue of the great music composer Frederic Chopin. This remarkable sculpture was unveiled in Lazienki Park in 1926. During summer, piano recitals are held at the foot of the monument. Note its scale by focusing on the people sitting on the bench to the left in the photo below. This is how it appears to visitors today.

The bronze monument to Poland's greatest musician, Frederic Chopin, was designed by Waclaw Symanowski and erected in Warsaw in 1910.

However, in 1941, a little more than a year after the Nazi invasion of Poland, the statue was dissected by the Nazis and placed on a flatbed railcar for transport to a smelter. This was but just one of enumerable acts by Hitler and the Nazis to destroy the most treasured cultural icons of each conquered city. In Russia notable such examples were the homes of the great poet Pushkin, and the remarkable composer Peter Tchaikovsky

Fryderck Chopin Monument cut up on rail car. (Photo Courtesy of National Archives and Records Administratiion.)

When I boarded the plane to depart Poland, I couldn’t help but admire so deeply the courage and fortitude of the Polish people. The Poles were the first victims of the Nazi invasion on this day 70 years ago. By war’s end more than 6 million Poles had died. Nazi Concentration camps had been built throughout the country at which millions of innocent people were murdered. The list of horrifying events that took place during World War II seems endless. Yet through it all, the Polish people found the will not just to survive, but to flourish. Their determination to rebuild their great cities and society as it was before the war is a living testament to the pride they have for the great history of Poland, and their courage and determination to triumph.