Robert Edsel's Blog

From left to right: Dr. Hans-Martin Hinz from the DHM (Deutsches Historisches Museum), Mr. Florian Scheurle from the BADV/Ministry of Finance, and Robert M. Edsel. Photo courtesy of Deutsches Historisches Museum.

Last week’s return of the Gemäldegalerie Linz Album XIII to the DHM (Deutsches Historisches Museum) in Berlin was another milestone achievement in our efforts to actively preserve the legacy of these remarkable men and women who saved so much of our cultural heritage during and after World War ll.  We honor their memory and underscore the modern day need to continue their work with events such as this.

We were so warmly received by Dr. Hans-Martin Hinz and his team at the DHM, a remarkable museum filled with more objects and knowledge about German history than anyone could ever fully study.  Much like our National Archives, the DHM team has made history interactive and fun for people of all ages, especially foreign visitors.  I encourage anyone visiting Berlin to allocate a half day minimum to see some of its remarkable displays.

From left to right: Dorothee Schneider, Dr. Birgit Schwartz (art historian), Dr. Hans-Martin Hinz (DHM), Robert Edsel, Dr. Matthias Miller (head of the library and curator of Old Master Prints DHM), Translator, Mr. Max Maldacker (Foreign Ministry, Head of Department for Culture and Communication), Ms. Maja Schweitzer (Foreign Ministry, Department for Culture and Communication), Mr. Harald Konig (BADV/Finance Ministry). Photo Courtesy of Deutsches Historisches Museum.

After the return ceremony we were given a brief tour of just the reading room in their library.  Remarkably this room appears largely as it did when constructed more than a hundred years ago.  It contains many old and priceless manuscripts including the first edition of Goethe’s “Faust” dated 1808, a 1200 year old handwritten document called the “Heliand fragment” written in an old Saxonian dialect now extinct, and even a first edition of the German children’s book ”Max & Moritz” from 1865, which sold at auction in Germany for about 125,000 Euro.”

These cultural exchanges of good will between countries won’t change our world, but each step, no matter how small, further and strengthen the ties that bind us.  These alliances are essential to overcoming the challenges of our new world.

View of the Brandenburg Gate and Pariser Platz. Photo Courtesy of Robert M. Edsel Collection.

Seven months ago I promised an aging Army veteran I would see to it that his service to our nation was honored while helping put to its proper use a seemingly insignificant object he had taken during the war as a souvenir.  Yesterday, with the return ceremony at the Deutsches Historisches Museum in Berlin, that promise was kept, and mission accomplished. Museum officials, alongside representatives of the Federal Republic of Germany and the United States, expressed their deepest gratitude for the return of the Gemäldegalerie Linz XIII Album after believing it was destroyed 65 years ago. They assured me, repeatedly, that the discovery of this Album would allow them to return to the rightful owners still missing works of art stolen during the war.

Mr. John Pistone and Robert M. Edsel, Founder and President, Monuments Men Foundation. Photo Courtesy of Monuments Men Foundation for the Preservation of Art.

WASHINGTON - JANUARY 22: (L-R) Deputy Secretary of State for Resources Jacob Lew, Baden-Wuerttemberg Minister of the Interior Heribert Rech, Monuments Men Foundation for the Preservation of Art founder Robert Edsel, German Ambassador to the United States Klaus Scharioth and American World War II veteran John Pistone. Photo Courtesy of Chip Somodevilla/Getty Images.

This is a heartwarming story for the American, Mr. John Pistone, who entrusted the Monuments Men Foundation – and me – with an object of emotional significance no words can convey. In the time we possessed it, the Gemäldegalerie Linz XIII Album was seen at the United States State Department by Germany’s Ambassador to the United States, the Honorable Klaus Scharioth, and Deputy Secretary of State Jacob Lew and other invited guests; more than 90,000 people at the special exhibit we organized with the assistance of our friends at the National World War II Museum in their magnificent museum; and most recently at a special two day exhibit at the Eisenhower Presidential Library and Museum on the occasion of the 65th anniversary of “V-E Day”.

Robert M. Edsel standing in front a statue of General Dwight D. Eisenhower. Photo Courtesy of Robert M. Edsel Collection.

And now, after the many peregrinations of its travels, it is home where it belongs at the Deutsches Historisches Museum, where people of good will can continue their dedicated work to make something good happen out of the horrible events of the past. In the process, we honor the work of the Monuments Men 65 years ago in not only returning millions of stolen items to their rightful owners, but establishing a legacy concerning the protection of cultural items of all nations that will serve us well in the future.

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

Today, The Monuments Men Year-End Newsletter for 2009 was released to the general public. Inside this newsletter, you can read about the various creative content we have produce, our ongoing engagement with the public through the media to bring much need attention to the Monuments Men, the various honors bestowed upon the Monuments Men Foundation, and all the incredible memories bringing this story to life.  Many thanks to all that have worked on this project through the years.

Please take a minute to read the The Monuments Men Year-End Newsletter.

If you would like to sign up for future newsletters, please click here (fill out form on the right side to submit).

With veteran John Pistone during our first visit

Today the Monuments Men Foundation announced the discovery of an album containing photographs of Hitler’s most beloved works of art by German painters destined for his Führermuseum in Linz, Austria.  This item, formally called the Gemaldegalerie Linz Album XIII, was taken by an American soldier from Hitler’s home in Berchtesgaden in early May, 1945.  The veteran, Mr. John Pistone, in a wonderful act of grace, has worked with the Monuments Men Foundation to identify what the album was and it’s return to Germany.

For the full story please click on the link to the Associated Press story. (http://news.yahoo.com/s/ap/us_hitler_s_album)

Today’s news was extraordinarily well received.  In fact, it was the most popular, most viewed and most emailed news article on Yahoo! today.  I hope and believe that this news, and the example set by Mr. Pistone, will bring the much needed visibility to our efforts to finish the mission of the Monuments Men and assist others who may be in the possession of items “liberated” or stolen during the World War ll period.