Robert Edsel's Blog

Lt. James Rorimer (kneeling, at left) and Louvre curator Germain Bazin pose in front of Goya’s painting Time, which had been successfully protected during the war at the Château de Sourches in France. Photo Courtesy of NARA.

While tens of thousands of Allied troops were flooding the beaches of Normandy on D-Day (June 6, 1944), the Monuments Men were impatiently waiting to cross the English Channel for their chance to contribute. For Monuments Man James Rorimer, and future director of the Metropolitan Museum of Art, the gravity of the situation gripped him that day:

“We are told that the invasion of Western Europe by overwhelming forces is underway…Now I am thinking of the combat troops and the task which is theirs. We older men are anxious on the one hand to help deal the death blow to tyranny, and on the other we think of our families at home and the obligations which we have as husbands, fathers, sons, and members of the peace-time community.”
-James Rorimer Letter to his Family, June 6, 1944

While conducting research for my books (The Monuments Men and Rescuing Da Vinci) and reading the hundreds of letters the Monuments Men wrote to their families, one of the first things that struck me was the extent to which the thoughts and feelings conveyed in these letters reflected their age and maturity. The Monuments Men had an average age of 40; a few had even fought in World War I. For the most part, these heroes were not the fearless young men who went to war before their adult lives had really begun. In contrast, these men had accomplished careers, they had wives and children, they had learned lessons from life’s experiences, and they had everything to lose. Rereading their letters always reminds me about their commitment to saving the cultural world and its great artistic treasures we all cherish, and the courage of their convictions in volunteering to serve.

(Nazi General Alfred Jodl (between Major Wilhelm Oxenius to the left and Generaladmiral Hans-Georg von Friedeburg to the right) signing the German Instrument of Surrender at Reimes, France, 7 May, 1945.)

The most destructive war in history formally ended this date 65 years ago. May 8 forever became known as “V-E” Day; Victory in Europe. More than 60 million people were killed many during World War II, many murdered by the Nazis. Property of all kinds, in particular cultural items — books, church bells, sculpture, and paintings to name but a few — were stolen as part of Hitler and the Nazis’ premeditated looting plans. It was the greatest theft in history, one that lasted almost eight years.

We continue to live with the altered legacy of Hitler and the Nazis. Consider the painful memories of families that never knew their loved ones who perished during the war, perhaps in battle or at a concentration camp; who WASN’T born that might have been, who DIDN’T live the life they were destined to live but for the murderous consequences of Hitler’s ambition? A scientist who might have discovered an alternative fuel to hydrocarbons? A doctor who perhaps could have pioneered our understanding of medicine and discovered cures for diseases? An artist or writer whose work might have transcended all ages and provided insights or happiness to people of our generation?

Life’s fragile realities play out in the obituary sections of newspapers everywhere. Not a day passes that we’re not reminded of the loss of the incredible generation of men and women who saved civilization as we know it from the gravest threat of the 20^th century, and perhaps ever. When they are gone, this will no longer be “living history”. Today should be a day of celebration, the date this great war in Europe ended. Sadly, there is little mention of the day’s significance by our media and even less discussion among the public. That is a shame.

I think of my father today, a World War II veteran of the Pacific, who died in January two years ago. We miss you Dad. Thank you and the men and women who served along side you for saving our world.

65 years ago this was the greeting to our troops stationed in France who had just liberated that country 4 months earlier.  It was a fierce winter with more snow and colder temperatures than had been seen in any living person’s memory.  The Battle of the Bulge was raging with desperate conditions for fighting men and the local populace; some feared the outcome of the war hung in the balance.  But our troops then, just as they had in too many conflicts past, endured.  Many found a way, even if for a fleeting moment, to pause and recognize the day and its importance.  Some had the luxury of receiving gifts from home, others  a chance to write a loved one a message on an Army issued Christmas card such as the one below.  We came across this card in the course of my research for The Monuments Men and set it aside for use this year as a way of reminding us all how fortunate we are….to not be in a combat zone, to be able to enjoy this day with family and loved ones without risk of life or hardships of a winter outdoors with no shelter or food.  I also wanted it to serve as reminder to us all about the millions of young men and women in uniform who are stationed all over the world, walking a wall, on duty, doing their best—many at risk of life—to preserve the freedom and way of life we enjoy.

The official U.S. Army Christmas Card that Monuments Man Robert Posy sent home to his wife and son in December 1944.

So this Christmas in particular, on behalf of our team and the Monuments Men and women, we say “Merry Christmas to all; peace and safekeeping”.

Until the new year, be well.

Yesterday was Rose Valland’s birthday. She was born in the tiny town of Saint Etienne de Saint Geoirs, France on November 1, 1898. She had a modest upbringing, and went on to pursue numerous fine arts degrees and eventually got a job at the Jeu de Paume Museum in Paris as an unpaid volunteer. No one could have guessed that she would be the one to save thousands of works of art stolen from France by the Nazis.

Rose Valland risked her life countless times while working in the “snake pit” of the Jeu de Paume, which had become the headquarters for the ERR, the primary Nazi looting organization during World War II. For four years she kept track of paintings and other treasures stolen from private Jewish collections in France that were brought to the museum before being sent to Germany. She watched as Hermann Göring and Alfred Rosenberg came in and drank champagne while making their selections, then secretly told Jacques Jaujard, director of the French National Museums, all that had transpired. After the war, it was her records that led the Monuments Men directly to the Nazi repositories so that they were able to rescue and restitute the cultural heritage of France.

But despite all this, Rose Valland remains a relatively unknown heroine of World War II. Not just in the United States but in France as well. When she is written about, she is often described as “homely” or “timid” or “unassuming”. While this may be partially true, I believe she was also an incredibly strong woman, who had more courage than most of us can dream of. She was patriotic and brave, and had a “ferocious determination”. And most importantly, she deserves to be remembered and honored for her heroic actions during World War II.  It is my hope that The Monuments Men not only shares her story with a broad audience for the first time, but also helps people understand what a remarkable woman Rose Valland really was.

Headline from "Victory Extra", Boston Massachusetts (Photo Courtesy of Robert M. Edsel Collection.)

Headlines around the world trumpeted the news 65 years ago as the German Commander of Paris, Major General Dietrich von Choltitz, surrendered the occupying forces that had controlled the city for more than four years.  Despite orders from Hitler to lay waste to the city, Choltitz departed from his history of destruction and chose instead to surrender.  He would later say, “It is always my lot to defend the rear of the German Army.  And each time it happens I am ordered to destroy each city as I leave it.”

The Cathedral of Notre Dame was not damaged, but fighting took place directly in front of the church. This burned-out truck was abandoned by German troops fleeing the city. (Photo Courtesy of National Archives and Records Administration (NARA).)

On August 26th, the day after the German surrender, French General de Gaulle led a victory parade down the Champs-Elysees.  Three days later the United States 28th Infantry Division followed the same parade route to celebrate the reclaiming of the city.

American soldiers look upon the Eiffel Tower after Paris was liberated. (Photo Courtesy of NARA.)

Almost one year would pass before French museum officials were prepared to escort back to Paris its most famous “citizen”, the Mona Lisa. In the weeks that followed other treasures from the Louvre began their journey home from the chateaux and other hiding places where they sat out the war.

Chief Archivist of the United States, Professor Allen Weinstein and Robert M. Edsel standing before one of the two "Hitler Albums" (Photo Courtesy of Robert M. Edsel Collection)

Hundreds of thousand of works of art and millions of cultural treasures, including library books, manuscripts, and religious objects, stolen by Hitler and the Nazis, or taken by others during World War ll, remain missing.  The collective value of these items is well into the billions of dollars! Does anyone really believe they were all destroyed during the war?

Two years ago we located the Hitler Albums, two albums filled with photographs of paintings stolen by the Nazis from French collectors, many of whom were Jewish, that were presented to Adolph Hitler for his enjoyment and selection of the best works for his Führermuseum in Linz.  These albums were found in his home – the Berghof – in Berchtesgaden by an American soldier and taken as war booty.  They had been sitting in the attic of his home ever since.

Years later they surfaced when a family member contacted us seeking assistance with determining what they were and their importance. In time they expressed a desire for us to put them to their best use.  We – me personally and the Monuments Men Foundation for the Preservation of Art – subsequently donated them to the National Archives at a ceremony in Washington in 2007.  Allen Weinstein, Chief Archivist of the United States, hailed their discovery as “the most significant find related to Hitler’s premeditated theft of art and other cultural treasures to be found since the Nuremberg trials.”

I believe there are many more such albums that will surface in the coming years along with missing paintings, drawings, books, and tens of thousands of other items displaced by the war or stolen during those years.  As the World War II generation passes, their belongings will be distributed to family members and, in many cases, sold.  During this sorting and identification process, many missing items from the war will surface.

The internet is also proving invaluable in helping both claimants and others seeking to find such stolen items recover their belongings.  Still, there is much to be done, by certain governments, museums, collectors, even the public at large.  It begins, however, with a far greater public awareness of the volume and importance of what is missing from World War II.

Everyone can participate!  Everyone can help us write the final chapter to this amazing story, the final chapter to this part of World War II, and in so doing, complete the mission of the Monuments Men.

To learn more about how you can help please contact me.

A group of Monuments Men and Women standing in front of the Munich Collecting Point in 1945. From Left to Right: Capt. Marcelle Minet, France; Lt. Craig Hugh Smyth, US; Capt. Hubert de Brye, France (above); Lt. Col. Alphonse Vorenkamp, the Netherlands (below); Lt. Doda Conrad, US; Lt. Jean Lemaire, Belgium; Lt. Charles Parkhurst, US; and Maj. Pierre Duchartre, France. (National Gallery, Washington, D.C.)

I am frequently asked by people, “who are the Monuments Men and if they are so important, why haven’t we heard about them before now?” It’s an excellent question with a simple but seemingly improbable answer.

First, who they were. The Monuments Men were a group of museum directors, curators, artists, architects, and scholars who volunteered for service during World War ll to protect the most important cultural treasures of Europe from the destruction of the war and theft by Hitler and the Nazis. This was an unprecedented effort to fight a war and at the same time mitigate damage to cultural items during combat. (If anyone has any doubt about why this is an important concept, consider the damage to the reputation of the United States and its allies over its handling of the aftermath of the looting of the National Museum of Iraq after the invasion of Baghdad in 2003!)

These men and women left their families and quite established careers to go into combat to save some of mankind’s most beloved works of art and other important items including paintings (by artists no less well known than Leonardo da Vinci and Michelangelo), sculpture, drawings, stained glass, church bells, religious objects, and of course some of the most important and famous structures in the world. They had virtually no resources allocated to them by the Army; creativity and resourcefulness was their guide. Their success was remarkable: within five years of the end of the war, they located and recovered more than 5 million cultural items stolen and/or hidden by the Nazis.

By the end of the war there were less than 60 Monuments Men in all of Europe. In fact, there had been only a dozen or so on the ground within a few months after the D-Day landings. Because such a few number of men and women were charged with the awesome responsibility of protecting the innumerable cultural riches of our western civilization, their service and mission was lost in the fog of history. They had no spokespersons to preserve their legacy so to speak…and it was almost lost. For that reason, few knew of the Monuments Men and fewer still wrote about them or their achievements until now.

Their heroic achievements didn’t end with the war either. As they returned home from combat, these gifted men and women helped build the cultural world we enjoy today, especially in the United States. In the United Kingdom their leadership impacted world renowned institutions including the British Museum, the Royal Academy of Arts, the Tate Gallery, the Fitzwilliam Museum, the Courtauld Institute, and the Victoria and Albert Museum. In the United States these visionary leaders impacted the New York City Ballet, the Metropolitan Museum of Art, MoMA, the National Gallery of Art, the Frick Collection, the Nelson-Atkins Museum, and the San Francisco Legion of Honor, just to name a few.  We owe them all our respect and admiration, especially when we visit a museum whose existence today is due in part to their sacrifices of long ago.

I hope you will take a few minutes to delve further into our new website, watch the promo video for my new book on the Monuments Men, and WRITE ME to tell me about your connection to this amazing story. I will pick some of the most interesting responses to share with everyone in future blogs.