Robert Edsel's Blog

It’s hard to believe that this is our 20th newsletter! So much has happened in the last 3 years. I hope you enjoy our latest publication – just click to download the PDF version.

Ken Lindsay (1919 - 2009) (Photo Courtesy of Agon Arts & Entertainment)

A year ago today, the world lost a great man – Monuments Man Ken Lindsay. His legacy still lives on at the Monuments Men Foundation.

Ken Lindsay was as polite and kind a person as he was passionate and articulate about art. When I first met him and his lovely wife Christine, I was so captivated to hear him recount his experiences as a soldier and Monuments Man that I laid my pen down and just listened. The twinkle in his eyes belied his age, for his words were clear, precise and empowered with youthful energy.

(Photo Courtesy of Robert M. Edsel Collection)

Like many MFAA personnel, Lindsay did not initially join the military as a Monuments officer, rather he was drafted and first served with signal intelligence at SHAEF headquarters. He marched through France with the U.S. 3rd Army and was later appointed to the Wiesbaden Collecting Point under the directorship of Monuments officer Capt. Walter Farmer. Because Lindsay was not an officer, he was not among the signatories to the “Wiesbaden Manifesto,” a document which expressed opposition to the removal of German-owned artworks to the United States for safekeeping. However, he did strongly agree with its sentiment.

One of his most memorable experiences at Wiesbaden was the uncrating of the ancient Egyptian Bust of Queen Nefertiti (seen in the photo on the left), which had been evacuated for safekeeping from the Berlin museums towards the end of the war. Lindsay recalled the moment the bust was removed from its protective casing: “Within an instant, every man in there fell hopelessly in love with her – that face – absolutely beautiful.”

Ken Lindsay reading (Photo Courtesy of National Archives and Records Administration)

After the war, Lindsay was a professor of art history at Williams College, Williamstown, MA. He left in 1951 to become professor and later chair of the art history department at Harpur College, Binghamton University (SUNY) until 1990. During his retirement, Dr. Lindsay remained busy. He wrote an article about the Wiesbaden Manifesto and the controversial decision to transfer German-owned artworks to the United States, entitled “Official Art Seizure Under the Military Cloak,” in the journal Art, Antiquity, and Law (vol. 3, no. 2, June 1998).

I was recently honored to become a Trustee of our nation’s National World War ll Museum in New Orleans.  For those of you who may not know, this museum is the joint vision of the great historian and the most popular storyteller of World War ll, the late Dr. Stephen Ambrose, and his best friend of 30 years, fellow historian and current CEO of the Museum, Dr. Nick Mueller. It has a dedicated board of trustees, a passionate group of employees, and prominent volunteer supporters, including Tom Hanks and Tom Brokaw, who together have created one of the most exciting and interesting visitor experiences in the world.

The museum is unparalleled in its telling of the war.  It has just opened a unique 4-D theater, home to “Beyond All Boundaries”, a one of a kind film produced by Tom Hanks which may only be seen in this theater.  The film presents an extraordinary summary of the war and the events which led to it.  Appealing to adults and kids alike, this museum is one of our country’s great cultural experiences in the exciting and fully recovered city of New Orleans.

This week the museum is having a “Band of Brothers” marathon leading up to the newest HBO special, “The Pacific”.  Anyone seeking a great experience should hop on a Southwest Airlines jet and get a front row seat for this great event!

Photo Courtesy of Robert M. Edsel Collection

This is but one of the dozens and dozens of touching messages I have come across in researching the letters of the Monuments Men. Western Union telegrams were sent only on rare, and oftentimes very special, occasions – in this case Monuments Man Robert Posey sent a birthday telegram to his young son, Dennis. Posey was stationed in Nancy, France in February 1944, and no doubt missed his family tremendously.

Photo Courtesy of CNN

As they say in westerns, “where’s the sheriff when you need one?”

I previously wrote about the damage to Haiti’s great national cathedral (blog dated February 9) and pointed out the hope that restoring it can bring to the citizens of this devastated country.  These cultural symbols with which they have lived for decades bring hope and inspiration; they’re destruction conveys the opposite message.  But in Haiti, like in war torn Europe at the end of World War II, the damage to culture went far beyond buildings and structures to include paintings, sculpture…in fact, most every form art takes.  This was the overwhelming challenge faced by the Monuments Men and women in the days after the war.

Christiane Amanpour, one of the truly gifted journalists of our time, due in no small part to her years of travel and fascinating family of origin, “gets it” in my view on this and so many other subjects.  Art matters; culture matters.  They are priceless parts of our existence; when they are damaged or our ability to enjoy them restricted as was the case in Nazi Germany, our lives are greatly diminished in ways few appreciate until those horrible moments are presented.  Christiane has prepared a great piece about the cost to Haiti in terms of its loss of cultural heritage due to the damage of works of art from the earthquake. The link is http://www.cnn.com/haitilostart.html

We must always state how much we mourn those who are no longer in Haiti, the tragic victims of this epic natural disaster.  But our focus must now shift to those who have survived, and those who have a chance to recover.  As time passes, these symbols of hope—the cultural heritage of a nation—will become increasingly important to the people of Haiti, perhaps less due to a desire to enjoy them initially and more so knowing that until the day when the rebuilding has begun, their cultural patrimony is safe.  Compliments to Christiane Amanpour for her insights and program.

U.S. Marine Lane Faison (Photo Courtesy of Sandy Faison)

When my book on the Monuments Men was reviewed by The Washington Post in what was an expansive and, overall, good review (but for the “drive by” parting comment), the writer did take exception to my characterization of these men and women as “heroes” stating:

“In civilian life they were professional art people or patrons of the arts, and they seem to have regarded their work during the war as an extension and amplification of their civilian careers. They worked very hard and very effectively, but they seem to have had no sense of (or inclination toward) heroics, and my judgment is that they should be viewed accordingly: with respect and gratitude, but not elevated to the exalted precincts of heroism.”

I found this comment astonishing:  two Monuments Men were killed in action, others had many close calls, most all volunteered, and without exception all of them made a significant sacrifice.  The Monuments Men and women not only didn’t have to be in combat, but many of them had to go to considerable lengths just to finagle their way into active duty.  I remain of the opinion that the Monuments Men and women WERE heroes, one and all.

I apply the same standard to men and women in uniform today.  Some kids join gangs; some go to college or trade school; some chase the almighty dollar; and some goof off.  Others still enter military service as a career; some do it for the opportunity to receive a great college education they might otherwise not be able to afford.  Others hope to continue a family tradition of military service.  Whatever the reason, these brave men and women are stationed somewhere around the world which means they are away from family, friends, and serving their nation, often in harm’s way.  Yes, they are paid for duty (as are police officers and firemen—and I consider them heroes also!), but that shouldn’t diminish the degree of sacrifice involved with their job in any way.  Every soldier I see in an airport, headed home on leave or back to his or her unit, has by dint of service earned my respect and admiration.

One such soldier who I want to mention is the grandson of one of our beloved Monuments Men (S. Lane Faison, Jr.), Lane Faison.  His great grandfather served in the U. S. Army and his grandfather served in the U.S. Navy with distinction.  His grandfather was someone I adored, an early member of the OSS who interrogated many of the Nazis in an effort to determine their respective roles in the art thefts and discern what Hitler’s plans were for the Führermuseum he hoped to build in his hometown of Linz.  I first met his grandson, Lane, at his memorial service in December 2006, a little more than a month after having interviewed his grandfather.  In the time since, Lane joined the U. S. Marines and is currently serving overseas having seen duty in Afghanistan.   We are all proud of his sense of purpose and willingness to serve his country in this manner. I know his grandfather would be beaming with pride.

To Lane, and all his fellow servicemen and women, especially those in harm’s way, we salute you, wish you success with your mission, and a safe return home upon completion.

The National Cathedral of Haiti devastated by the recent earthquake. (Photo Courtesy of Polaris Images)

I’ve often said that perhaps the most redeeming aspect of the historic work of the Monuments Men is one of hope…that in the face of man’s inhumanity to his fellow man, and amidst the great human suffering and devastation to homes, towns, and ways of life as a consequence of World War II, a small group of volunteers emerged to risk their lives and everything they had accomplished to rescue and preserve the cultural legacy of civilization for future generations.  This story is certainly filled with heroism, valor, and harrowing close calls in which western civilization’s most beloved works of art and monuments were in jeopardy of being destroyed.   But the story is also one of hope that the lessons of the Monuments Men during World War II would enable future generations to be better prepared to deal with similar situations.

In Haiti, a natural disaster of war-like scope has devastated the nation and its people and suspended the normal functioning of their society.  The deaths of hundreds of thousands of people, and more importantly all ongoing efforts to save the lives of others while creating a stable safe living environment must be the paramount concern.  This will be years in the doing; no quick fix exists.  Haiti’s long history of poverty and decades of kleptocratic leadership have created that reality despite noble efforts, and some signs of progress, these past few years.   Because of the protracted time that rebuilding even a modicum portion of the infrastructure will require, hope—and all its symbols—will have an added significance.

Hope buys time…hope buys patience…hope can provide a reason to fight for life just one more day until improvement comes, no matter how slight. Hope can bring a sense of confidence about there being tomorrows.  And in my judgment, the people of Haiti need hope as desperately as they need medicine, doctors, and financial aid.  What then can be done that would bring a disproportionate benefit to the aid dollars and individual acts of mercy?  Let us for a moment look to the past as a guide.

Rouen Cathedral damaged by bombing in 1944 (Photo Courtesy of National Archives and Records Administration)

The thousands of discoveries during World War ll made by the Monuments Men of hidden paintings, stained glass, pieces of sculpture, and other art objects too often overshadows their initial assignment which was to protect monuments, i.e., churches, libraries, museums, and other important historical structures, hence the nickname “Monuments Men.”   The Monuments Men were not responsible for restoring these buildings, but they did oftentimes implement crucial temporary repairs that mitigated damage and enabled restoration at a later date.  They also made key determinations about which structures were damaged beyond repair and those that, while severely damaged, could in fact be rebuilt using as much of the original materials and structure as possible.

Kaiser Wilhelm Memorial Church in Berlin, 1953 (Photo Courtesy of AKG Images)

Many examples of the results of their work and other people of good will exist, but two that are prominent and serve to illustrate the point are the great cathedral in Rouen, and the Kaiser Wilhelm Memorial Church in Berlin.  The Cathédrale Notre-Dame de Rouen was severely damaged in April 1944 by Western Allied bombing, and again during the D-Day invasion two months later.  It was repaired after the war and remains one of Europe’s great gothic cathedrals, dating back to 1202!  The Kaiser Wilhelm Memorial Church, built in honor of Germany’s Emperor (1858-1888), was nearly destroyed in a Western Allied air raid on November 23, 1943.  As late as May 24th, 1953, the church was still unrepaired with parishioners attending services in the ruins of the structure.  Repairs to the church didn’t begin until 1959 and required 4 years to finish.

The National Cathedral of Haiti before the earthquake (Photo Courtesy of Wikipedia Images)

And After (Photo Courtesy of Wikipedia Images)

Haiti’s great church, the National Cathedral in Port-au-Prince, was severely damaged by the earthquake.  Built between 1884 and 1914, the Cathédrale de Port-au-Prince is a Roman Catholic Church of hugely symbolic importance to Haitians, more than 90% of whom are Catholic. It is, along with the presidential palace, the most identifiable structure in the nation.  (To put this into perspective, imagine the National Cathedral in Washington, D.C. being destroyed, or St. Patrick’s in New York City.)  While the roof collapsed, much of the structure’s walls remain standing, in fact eerily similar to the scenes of destruction to the Rouen and Berlin churches.  Those churches were rebuilt:  the National Cathedral in Port-au-Prince should be also.

Imagine the impact on these shattered Haitian lives to see this revered structure rebuilt and done so in a way to withstand future earthquakes? And not rebuilt for them, but rebuilt BY THEM combining their physical participation with the technological assistance of experts in such matters, and the funding and support of kindred organizations such as the Vatican, the World Monuments Fund, and others.  The symbol of hope and reassurance to the people of Haiti that there WILL be a tomorrow would be immense and inspirational.  With guidance and assistance from those in the United States, including our government, it would send a message to the world that the leaders of this nation understand the importance of respect for the preservation of cultural property in a way our actions in the aftermath of the looting of the National Museum of Iraq in Baghdad in 2003 did just the opposite. This was the very essence of why the Monuments Men were created, the core objective of their mission.  It worked in war torn Europe after the deaths of 60 million people.  Why then should it not work in Haiti?

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

65th Anniversary of the Liberation of Auschwitz

Today is International Holocaust Remembrance Day, which marks the 65th anniversary of the liberation of the Auschwitz-Birkenau death camp in Poland. On January 17, 1945, the Nazis evacuated the camp, forcing some 60,000 prisoners on a death march to the Bergen-Belsen camp in Germany. On January 27, Soviet troops liberated the 7,500 prisoners who were left at Auschwitz because they were too weak.

Poland is marking the anniversary today with ceremonies and mass at Auschwitz, as well as the Third International Holocaust Forum. Israeli Prime Minister Benjamin Netanyahu and European Parliament President Jerzy Buzek will address the forum, and video messages are expected from US President Barack Obama, French President Nicolas Sarkozy and Russian President Dmitry Medvedev. 200 European Union dignitaries, Holocaust survivors, including 100 who were imprisoned at Auschwitz, and students will attend. Let us all take a few moments today to remember the victims of Nazi persecution. I found this short video clip on YouTube particularly moving.

Auschwitz haunts Soviet veteran (Click Link to Play Video)

Gemaldegalerie Linz Album XIII

Augsburger Geschlechterbuch or “Augsburg Book of Nobles”

On Friday we gathered at the State Department for a ceremony marking the return of two irreplaceable documents, one of which was located by the Monuments Men Foundation.  The Gemaldegalerie Linz Album XIII was a prized possession of Hitler and documented German 19^th century works of art he had accumulated, both through purchase and theft, for the Fuhrermuseum he planned to build in his hometown.  The other document is known as the Augsburger Geschlechterbuch or “Augsburg Book of Nobles” which belongs to the Staatsgalerie Stuttgart.  While each item was taken by a U.S. Army soldier, the circumstances of their respective returns couldn’t have been more different.

Mr. Robert Edsel, Mr. John Pistone, and Ambassador Stuart Eizenstat, German Ambassador Klaus Scharioth, and Minister of the Interior for Baden-Wuerttemberg, Heribert Rech

This great occasion also honored one of those veterans, Mr. John Pistone, who upon learning about the importance of the Gemaldegalerie Linz Album agreed to work through the Monuments Men Foundation to ensure its return to Germany.  In contrast, the person in possession of the Augsburg Book of Nobles refused to return it and only through years of litigation was it eventually delivered to the State Department.

Deputy Secretary of State Jacob Lew, Minister Heribert Rech, German Ambassador Klaus Scharioth and Mr. Robert M. Edsel

Mr. Robert Edsel, Ambassador Klaus Scharioth, Minister Heribert Rech, and Deputy Secretary of State Jacob Lew

Ambassador Christian Kennedy, the U.S. Special Envoy for Holocaust Issues hosted the event and introduced each of the speakers after making poignant remarks about the importance of these two items being returned to Germany. His comments were underscored by Deputy Secretary of State Jacob Lew.  Accepting these items was German Ambassador Klaus Scharioth, and Heribert Rech, Minister of the Interior for Baden-Wuerttemberg, the state in which Stuttgart is located.  Both gentlemen spoke eloquently and candidly about this period of Germany’s history and the commitment Germany has today to doing everything possible to assist those victims of the Nazi era in recovering their stolen belongings.  At the same time, they expressed their desire to see items belonging to Germany returned home.  Minister Rech had tears in his eyes when he expressed the satisfaction that this important relic of his city’s history was finally going home.

Ambassador Stuart Eizenstat, Ambassador Christian Kennedy, and Deputy Secretary of State Jacob Lew

Each speaker commented on the important role of the Monuments Men during and after World War II and expressed their sincere appreciation for the work of the Monuments Men Foundation in not only preserving their legacy but in helping to locate and return items of such historic importance.  After all our hard work, these remarks were quite gratifying to hear.  Compliments were also directed to Mr. John Pistone for his role in coming forward to set the example for all veterans and their relatives who, like him, may have some item that was taken during the war that is a cultural object which should be returned.  When I first met with Mr. Pistone many months ago, I encouraged him to be a visible presence in the return of this document both to allow him to receive the credit he was due, but also to set the example for others.  He graciously agreed.  It was a very happy moment for the Monuments Men Foundation team to witness this fine veteran receive such praise in the presence of his family.  He later told me it was one of the proudest moments of his life…and that speaks volumes about what we at the Foundation are all about.

Mrs. Verna Pistone and her daughters Joan, Julianne and Laura

Photos courtesy of United States State Department