Robert Edsel's Blog

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

I will be speaking at the National Gallery of Art in Washington D.C., this Sunday, January 17 at 2 pm. If you are in the D.C. area, I hope you will attend! The lecture is free and open to the public, it will be in the East Building Concourse Auditorium.

Today, The Monuments Men Year-End Newsletter for 2009 was released to the general public. Inside this newsletter, you can read about the various creative content we have produce, our ongoing engagement with the public through the media to bring much need attention to the Monuments Men, the various honors bestowed upon the Monuments Men Foundation, and all the incredible memories bringing this story to life.  Many thanks to all that have worked on this project through the years.

Please take a minute to read the The Monuments Men Year-End Newsletter.

If you would like to sign up for future newsletters, please click here (fill out form on the right side to submit).

Click Image to Enlarge

On December 21, 1941, directors from the great museums in America joined at the Metropolitan Museum in New York City for a historic meeting. In the aftermath of the bombing of Pearl Harbor, these cultural leaders realized that it was time to take action. Their initial concerns focused on the safety of American museums – would they be prepared for an attack on their own cities? Other logistical problems were a concern as well. In Boston, the Museum of Fine Arts had closed the Japanese galleries out of fear of angry mobs. The Met was closing at dusk to prevent visitors from running into things in the event of a blackout.

At the meeting, Paul Sachs issued a resolution, stating:

“If, in time of peace, our museums and art galleries are important to the community, in time of war they are doubly valuable. For then, when the petty and the trivial fall way and we are face to face with final and lasting values, we… must summon to our defense all our intellectual and spiritual resources. We must guard jealously all we have inherited from a long past, all we are capable of creating in a trying present, and all we are determined to preserve in a foreseeable future. Art is the imperishable and dynamic expression of these aims. It is, and always has been, the visible evidence of the activity of free minds.”

In hindsight, we know that a further attack on American soil never occurred. However, this meeting had lasting effects: it served as the birthplace of the Monuments, Fine Arts, and Archives section. After the Met meeting, Monuments Man George Stout and Harvard Professor Paul Sachs continued to reach out to museum leaders to develop a plan of action for when the Allies would inevitably arrive in Europe, for it had become obvious that it was the cultural treasures of Europe, not America, that would need protection. The Monuments Men were the embodiment the eloquent words Sachs spoke in December 1941.

With veteran John Pistone during our first visit

Today the Monuments Men Foundation announced the discovery of an album containing photographs of Hitler’s most beloved works of art by German painters destined for his Führermuseum in Linz, Austria.  This item, formally called the Gemaldegalerie Linz Album XIII, was taken by an American soldier from Hitler’s home in Berchtesgaden in early May, 1945.  The veteran, Mr. John Pistone, in a wonderful act of grace, has worked with the Monuments Men Foundation to identify what the album was and it’s return to Germany.

For the full story please click on the link to the Associated Press story. (http://news.yahoo.com/s/ap/us_hitler_s_album)

Today’s news was extraordinarily well received.  In fact, it was the most popular, most viewed and most emailed news article on Yahoo! today.  I hope and believe that this news, and the example set by Mr. Pistone, will bring the much needed visibility to our efforts to finish the mission of the Monuments Men and assist others who may be in the possession of items “liberated” or stolen during the World War ll period.

Jack Reiss at Alabama Booksmith Book Store

I spent the day in Birmingham, Alabama signing books and delivery a lecture at the Birmingham Museum.  It was a lunchtime event which is usually pretty difficult for people to attend. Not so today: more than 150 people enthusiastically appeared, full of great questions and comments.  At each such event I’m reminded of how special the story of the Monuments Men truly is.

My day began at Alabama Booksmith Book Store where I signed more than 400 books for store owner Jake Reiss.   What a book store!  Most all of his books are first editions signed by the author!  I bought two books myself!

Jake has developed some very innovative ways to promote his business and stay ahead of the rapidly changing buying patterns of his customers.  He is so enthusiastic about books AND HIS CUSTOMERS!  It is a joy to be in his store.  And wonderful to have been so welcomed by the citizens of this great southern city!

Paul Mellon, the great American art patron and son of Andrew Mellon, who donated to the nation the funds required to build our National Gallery of Art in Washington, D.C., once said: “What this nation needs is a good 5 minute respite”. I think he was suggesting we slow down a bit, take a deep breath, pause to reflect, and perhaps even be thankful for all we have that is good. Thanksgiving may be the best of all holidays to allow ourselves just such a moment.

I have so much for which to be thankful. What follows are some of the more immediate things that come to mind:

The opportunity to have spent almost 4 hours with Lane Faison before he died…

Discovering Monuments woman Mary Regan Quessenberry and having the chance to spend so much time with her this fall…she is one of the more remarkable people I’ve ever met…

Having the time and resources to travel around the country the last 4 years visiting with the Monuments Men and women and their families, and developing with them a special bond of friendship from my work to tell their story and preserve their legacy…

Developing such a close relationship with the great folks at the National World War II Museum, in particular director Dr. Nick Mueller.  Their enthusiasm about the importance of the story of the Monuments Men and eagerness to work with the Monuments Men Foundation has been a most welcome development…

Being of good health…

Having had such great parents, both of whom had the opportunity to be a part of my work to find and honor the Monuments Men…

Having such a wonderful son whose very voice brings a smile and laughter to each day…

Being surrounded with such dedicated people at the Monuments Men Foundation office who care so deeply about these Monuments Men and women, their stories, and in making sure their accomplishments are known to all…

For having such an extraordinary group of friends, diverse in their thought and ways, spread around the world, but all only a call away, each ever present in my heart…

And finally, being of good spirit and attitude, filled with passion for all things meaningful in my life…my passion is the source of my endless reserve of energy, creativity, and love.

To all…have a great Thanksgiving!!!

I can think of no more fitting end to the week then remembering our friend, S. Lane Faison Jr., a man we all deeply admired and miss. As a tribute to Lane and his remarkable life, we created a short film, about two minutes in length which you may see by clicking on the link below.

http://www.youtube.com/RobertEdsel#p/a/u/2/JLqYev6Thck

I had a great experience being interviewed by Jeffrey Brown, Senior Correspondent for the The News Hour and a great supporter of the arts. While I was in make-up Judy Woodruff was nearby having completed an interview. Their team couldn’t be more professional and polite.

I want to pay a compliment to this show, one of the very few to pay respect to our Veterans on Veterans Day. The entire program dealt with veteran issues and problems our current day men and women in uniform are experiencing due to the stress of combat and extended missions overseas. Quite a contrast from much of the nonsense on so many other television programs! Kudos to the producers, Jim Lehrer, Judy Woodruff, and Jeffrey Brown for not caving into the trivialities of today and providing the coverage, night after night, of the meaningful stories we need to know.

To see the full interview click http://www.pbs.org/newshour/.

Left to Right: Mary Regan Quessenberry, Mary Churchill and Unknown

Today the Monuments Men Foundation for the Preservation of Art, recipient of the 2007 National Humanities Medal, announced they have identified a second living female member of the Monuments, Fine Arts, and Archives section (“MFAA”), or “Monuments Men” as they were more commonly known: Mary Regan Quessenberry of Boston, Massachusetts.

The Monuments Men were a group of 345 men and women from thirteen nations, many of whom were museum directors, curators, artists and architects, who together worked to protect monuments and other cultural items from the destruction of World War II. In the last year of the war they tracked, located and ultimately returned more than five million artistic and cultural treasures stolen by Hitler and the Nazis.

Regarding this important occasion, Robert M. Edsel, author of The Monuments Men, and President of The Monuments Men Foundation for the Preservation of Art stated, “This news makes Veterans Day even more special for the Monuments Men Foundation. The men and women who collectively comprised the Monuments Men set the standard for the protection of cultural treasures during armed conflict. Although we hope our ongoing research efforts identify other living Monuments Men and women, today we know of only 10, including Mary Regan Quessenberry, who played an important role in the post-war work of the Monuments Men, assisting with the efforts to return millions of works of art to the countries from which these treasures had been stolen. This significant occasion underscores the importance and urgency of our research to recognize the contribution and preserve the legacy of these remarkable men and women who saved so much of our cultural heritage during World War II.”

Mary Regan Quessenberry and Robert M. Edsel

After watching an interview with Robert Edsel on BBC regarding his new book, The Monuments Men, Ms. Quessenberry’s niece contacted the Monuments Men Foundation about her aunt’s role as a Monuments officer. Mr. Edsel immediately traveled to Boston to meet with Mary, and presented her with a flag of the United States which had flown over the United States Capitol in honor of the Monuments Men, as well as a gold leaf copy of the Congressional Resolution that was passed in both the House and the Senate recognizing for the first time in the United States the heroic efforts of the members of the Monuments, Fine Arts, and Archives section.

Born in Boston on October 10, 1915, Mary Regan attended Radcliffe College and later received a master’s degree in Fine Art from Harvard, where her professors included Monuments Men Paul Sachs, Langdon Warner, and Mason Hammond, all key figures in Mr. Edsel’s new book, The Monuments Men. The United States entered World War II in December 1941. By July 1942 Mary had given up her job as a high school art teacher and was in uniform serving with the WAAC (Women’s Auxiliary Army Corps). Over 400,000 women applied to be part of the first group of women to serve in the US military; only 450 were chosen. She would later become a recruiter for WAC (Women’s Army Corps), where one of the highlights was meeting the Churchill family when they visited Boston. Mary was sent overseas in 1943. Prior to becoming a Monuments officer, she trained with the U.S. Army 8th Air Force under General Doolittle; she was also sent to the Royal Air Force base at Medmenham as part of the Central Interpretation Unit and later, Mary received orders to report to General Carl Spaatz. At that time he commanded the 8th, 9th, and 15th Army Air Corps and led the strategic bombing campaign against Germany reporting directly to General Eisenhower. Mary became “company commander of the 550 WACs who ran Spaatz Headquarters.” For her service as company commander, Mary received a Bronze Star.

Following the Allied victory, Mary read in Stars and Stripes that officers with an art history background were needed as Monuments Men. Despite having more than enough points to return home, Mary traveled to Berlin to volunteer for service with the Monuments Men. As a Monuments officer stationed in Berlin, Mary traveled to the Munich Collecting Point, Wiesbaden Collecting Point, various repositories, and badly damaged cities. She worked with fellow Monuments Men Bancel LaFarge, Rose Valland, Charles Kuhn, Calvin Hathaway and others to restitute stolen works of art to their rightful owners. She served as a Monuments officer until 1948, when she retired as a Major after an extraordinary and accomplished military career.

Mary returned home to the United States and taught humanities at the University of Florida, and married her husband Tim Quessenberry in 1965. Mary Regan Quessenberry currently lives in Boston, Massachusetts.

About the Monuments Men Foundation

The Monuments Men Foundation was created to raise public awareness of the 345 or so men and women from thirteen nations, many of whom were museum directors, curators, and educators, who protected monuments and other cultural treasures from the destruction of World War II. By 1945, these heroes of civilization tracked, located and later returned more than 5 million artistic and cultural items stolen by Hitler and the Nazis. The Foundation intends for their rich legacy to serve as a beacon for the preservation of such treasures in future armed conflict and to finish the task of locating and returning some of the hundreds of thousands of stolen and missing works of art and documents to the victims of the greatest theft in history. The Monuments Men Foundation for the Preservation of Art was one of ten recipients of the 2007 National Humanities Medal, the highest honor given for excellence in the Humanities field.

For more information about the Monuments Men Foundation, please visit www.monumentsmenfoundation.org.

To speak with Robert Edsel or for further details, Please Contact:
Christy Fox
Telephone: 646-246-3743
Email: christyfox1@aol.com