Robert Edsel's Blog

Ken Lindsay (1919 - 2009) (Photo Courtesy of Agon Arts & Entertainment)

A year ago today, the world lost a great man – Monuments Man Ken Lindsay. His legacy still lives on at the Monuments Men Foundation.

Ken Lindsay was as polite and kind a person as he was passionate and articulate about art. When I first met him and his lovely wife Christine, I was so captivated to hear him recount his experiences as a soldier and Monuments Man that I laid my pen down and just listened. The twinkle in his eyes belied his age, for his words were clear, precise and empowered with youthful energy.

(Photo Courtesy of Robert M. Edsel Collection)

Like many MFAA personnel, Lindsay did not initially join the military as a Monuments officer, rather he was drafted and first served with signal intelligence at SHAEF headquarters. He marched through France with the U.S. 3rd Army and was later appointed to the Wiesbaden Collecting Point under the directorship of Monuments officer Capt. Walter Farmer. Because Lindsay was not an officer, he was not among the signatories to the “Wiesbaden Manifesto,” a document which expressed opposition to the removal of German-owned artworks to the United States for safekeeping. However, he did strongly agree with its sentiment.

One of his most memorable experiences at Wiesbaden was the uncrating of the ancient Egyptian Bust of Queen Nefertiti (seen in the photo on the left), which had been evacuated for safekeeping from the Berlin museums towards the end of the war. Lindsay recalled the moment the bust was removed from its protective casing: “Within an instant, every man in there fell hopelessly in love with her – that face – absolutely beautiful.”

Ken Lindsay reading (Photo Courtesy of National Archives and Records Administration)

After the war, Lindsay was a professor of art history at Williams College, Williamstown, MA. He left in 1951 to become professor and later chair of the art history department at Harpur College, Binghamton University (SUNY) until 1990. During his retirement, Dr. Lindsay remained busy. He wrote an article about the Wiesbaden Manifesto and the controversial decision to transfer German-owned artworks to the United States, entitled “Official Art Seizure Under the Military Cloak,” in the journal Art, Antiquity, and Law (vol. 3, no. 2, June 1998).

New Orleans is the place to be….Saints mania abounds, and rightfully so!!!  But there’s another exciting event which has brought me here today:  the opening of the first exhibition by the Monuments Men Foundation!  And what more fitting location could there be:  the stunning National World War II Museum!  On display are two irreplaceable historic documents which are the smoking guns of Hitler and the Nazi’s greatest theft in history:  the Gemaldegalerie Linz Album XIII, and the ERR Album 6, both of which were removed from Hitler’s home in Berchtesgaden, known as the Berghof, by U.S. Army soldiers.

This is the first time these documents have been together since being in Hitler’s possession, and the only opportunity the public will ever have to see them together.  The ERR Album 6 contains photographs of paintings stolen by Alfred Rosenberg and his notorious Einsatzstab Reichsleiter Rosenberg unit from the great collectors in France including families such as the Rothschilds, Seligmanns, David-Weill, and others.  It was presented to Hitler along with as many as 100 albums in that series.  Until the Monuments Men Foundation located Album 6, it was believed there were just 39 of these albums which, interestingly, were the chief prosecution exhibit at the Nuremberg Trials for the portion pertaining to Nazi theft of cultural property.

This 90 day exhibition marks the second leg of the journey home to Berlin for the Gemaldegalerie Linz Album XIII.  It began a week ago when I presented it to Germany’s Ambassador to the United States, Mr. Klaus Scharioth, at the United States State Department (for related story click here).  This Album, one of 31 such albums created of which only 19 were believed to have survived the war, is extremely important because it contains photographs of the works of art personally selected by Hitler for the museum he intended on building in his hometown of Linz, commonly referred to as the Führermuseum.  Album XIII is particularly significant because it contains works by German 19th century painters so beloved by Hitler.  Not only was this and the other still missing 11 albums thought to have been destroyed, but scholars believed their last known location was the Wolfsschanze or Wolf’s Lair, Hitler’s headquarters on the eastern front.  That this album was located at Berchtesgaden was quite a revelation and makes it increasingly likely others will eventually be found.

The Monuments Men Foundation believes that many of the missing albums from both series survived the war and will surface in the months and years ahead.  These documents are only the most recent examples of the millions of still missing works of art and other objects from the World War II period.  We encourage anyone with information about a missing object, or concern about some item in their possession, to contact the Monuments Men Foundation.

And an enormous “thanks” goes to all our friends at the National World War II Museum who have done such an outstanding job installing the exhibit and supporting this important display.  For all those who haven’t been to the Museum, it is truly one of the most amazing, interactive and fascinating museums in the world. For more information on the National World War II Museum visit http://www.nationalww2museum.org/.

I will be speaking at the National Gallery of Art in Washington D.C., this Sunday, January 17 at 2 pm. If you are in the D.C. area, I hope you will attend! The lecture is free and open to the public, it will be in the East Building Concourse Auditorium.

Today, The Monuments Men Year-End Newsletter for 2009 was released to the general public. Inside this newsletter, you can read about the various creative content we have produce, our ongoing engagement with the public through the media to bring much need attention to the Monuments Men, the various honors bestowed upon the Monuments Men Foundation, and all the incredible memories bringing this story to life.  Many thanks to all that have worked on this project through the years.

Please take a minute to read the The Monuments Men Year-End Newsletter.

If you would like to sign up for future newsletters, please click here (fill out form on the right side to submit).

Click Image to Enlarge

On December 21, 1941, directors from the great museums in America joined at the Metropolitan Museum in New York City for a historic meeting. In the aftermath of the bombing of Pearl Harbor, these cultural leaders realized that it was time to take action. Their initial concerns focused on the safety of American museums – would they be prepared for an attack on their own cities? Other logistical problems were a concern as well. In Boston, the Museum of Fine Arts had closed the Japanese galleries out of fear of angry mobs. The Met was closing at dusk to prevent visitors from running into things in the event of a blackout.

At the meeting, Paul Sachs issued a resolution, stating:

“If, in time of peace, our museums and art galleries are important to the community, in time of war they are doubly valuable. For then, when the petty and the trivial fall way and we are face to face with final and lasting values, we… must summon to our defense all our intellectual and spiritual resources. We must guard jealously all we have inherited from a long past, all we are capable of creating in a trying present, and all we are determined to preserve in a foreseeable future. Art is the imperishable and dynamic expression of these aims. It is, and always has been, the visible evidence of the activity of free minds.”

In hindsight, we know that a further attack on American soil never occurred. However, this meeting had lasting effects: it served as the birthplace of the Monuments, Fine Arts, and Archives section. After the Met meeting, Monuments Man George Stout and Harvard Professor Paul Sachs continued to reach out to museum leaders to develop a plan of action for when the Allies would inevitably arrive in Europe, for it had become obvious that it was the cultural treasures of Europe, not America, that would need protection. The Monuments Men were the embodiment the eloquent words Sachs spoke in December 1941.

With veteran John Pistone during our first visit

Today the Monuments Men Foundation announced the discovery of an album containing photographs of Hitler’s most beloved works of art by German painters destined for his Führermuseum in Linz, Austria.  This item, formally called the Gemaldegalerie Linz Album XIII, was taken by an American soldier from Hitler’s home in Berchtesgaden in early May, 1945.  The veteran, Mr. John Pistone, in a wonderful act of grace, has worked with the Monuments Men Foundation to identify what the album was and it’s return to Germany.

For the full story please click on the link to the Associated Press story. (http://news.yahoo.com/s/ap/us_hitler_s_album)

Today’s news was extraordinarily well received.  In fact, it was the most popular, most viewed and most emailed news article on Yahoo! today.  I hope and believe that this news, and the example set by Mr. Pistone, will bring the much needed visibility to our efforts to finish the mission of the Monuments Men and assist others who may be in the possession of items “liberated” or stolen during the World War ll period.

Jack Reiss at Alabama Booksmith Book Store

I spent the day in Birmingham, Alabama signing books and delivery a lecture at the Birmingham Museum.  It was a lunchtime event which is usually pretty difficult for people to attend. Not so today: more than 150 people enthusiastically appeared, full of great questions and comments.  At each such event I’m reminded of how special the story of the Monuments Men truly is.

My day began at Alabama Booksmith Book Store where I signed more than 400 books for store owner Jake Reiss.   What a book store!  Most all of his books are first editions signed by the author!  I bought two books myself!

Jake has developed some very innovative ways to promote his business and stay ahead of the rapidly changing buying patterns of his customers.  He is so enthusiastic about books AND HIS CUSTOMERS!  It is a joy to be in his store.  And wonderful to have been so welcomed by the citizens of this great southern city!

Paul Mellon, the great American art patron and son of Andrew Mellon, who donated to the nation the funds required to build our National Gallery of Art in Washington, D.C., once said: “What this nation needs is a good 5 minute respite”. I think he was suggesting we slow down a bit, take a deep breath, pause to reflect, and perhaps even be thankful for all we have that is good. Thanksgiving may be the best of all holidays to allow ourselves just such a moment.

I have so much for which to be thankful. What follows are some of the more immediate things that come to mind:

The opportunity to have spent almost 4 hours with Lane Faison before he died…

Discovering Monuments woman Mary Regan Quessenberry and having the chance to spend so much time with her this fall…she is one of the more remarkable people I’ve ever met…

Having the time and resources to travel around the country the last 4 years visiting with the Monuments Men and women and their families, and developing with them a special bond of friendship from my work to tell their story and preserve their legacy…

Developing such a close relationship with the great folks at the National World War II Museum, in particular director Dr. Nick Mueller.  Their enthusiasm about the importance of the story of the Monuments Men and eagerness to work with the Monuments Men Foundation has been a most welcome development…

Being of good health…

Having had such great parents, both of whom had the opportunity to be a part of my work to find and honor the Monuments Men…

Having such a wonderful son whose very voice brings a smile and laughter to each day…

Being surrounded with such dedicated people at the Monuments Men Foundation office who care so deeply about these Monuments Men and women, their stories, and in making sure their accomplishments are known to all…

For having such an extraordinary group of friends, diverse in their thought and ways, spread around the world, but all only a call away, each ever present in my heart…

And finally, being of good spirit and attitude, filled with passion for all things meaningful in my life…my passion is the source of my endless reserve of energy, creativity, and love.

To all…have a great Thanksgiving!!!

I can think of no more fitting end to the week then remembering our friend, S. Lane Faison Jr., a man we all deeply admired and miss. As a tribute to Lane and his remarkable life, we created a short film, about two minutes in length which you may see by clicking on the link below.

http://www.youtube.com/RobertEdsel#p/a/u/2/JLqYev6Thck

I had a great experience being interviewed by Jeffrey Brown, Senior Correspondent for the The News Hour and a great supporter of the arts. While I was in make-up Judy Woodruff was nearby having completed an interview. Their team couldn’t be more professional and polite.

I want to pay a compliment to this show, one of the very few to pay respect to our Veterans on Veterans Day. The entire program dealt with veteran issues and problems our current day men and women in uniform are experiencing due to the stress of combat and extended missions overseas. Quite a contrast from much of the nonsense on so many other television programs! Kudos to the producers, Jim Lehrer, Judy Woodruff, and Jeffrey Brown for not caving into the trivialities of today and providing the coverage, night after night, of the meaningful stories we need to know.

To see the full interview click http://www.pbs.org/newshour/.